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Cirque Du Soleil
“Someone”
Delirium
(Cirque Du Soleil)
[listen] [buy] [download]

Patricia Barber
“Whiteworld/Oedipus”
Mythologies
(Blue Note)
[listen] [buy]

Cirque Du Soleil
“Someone”
Delirium
(Cirque Du Soleil)
[listen] [buy] [download]

Jim Pearce
“Why I Haven't Got You”
Prairie Dog Ballet
(Oak Avenue Publishing)
[listen] [buy]

Andy Timmons Band
“Gone (9/11/01)”
Resolution
(Favored Nations)
[listen] [buy]

Ralph Towner
“If”
Time Line
(ECM Records)
[listen] [buy]

Anoushka Shankar
"Beloved"
Rise
(Angel)
[listen]

Amos Lee
"Arms Of A Woman"
Amos Lee
(Blue Note)
[listen]

Julius Curcio
"American Pie"
Alligator Shoes
(Electric Roots)
[listen] [buy]

Lemon
"Come Alive"
Changing Into Me
[listen] [buy]

Kaleidoscope [Issue # 14 ]

By Lynne Bronstein

( CD )


With an ear toward the revived interest in traditional pop singers, Johnny Mathis’ Isn’t It Romantic: The Standards Album Columbia) offers tender renditions of old favorites by Gershwin, Rodgers and Hart, and others. After five decades, Mathis’ voice is as vibrant and sensitive as ever.

Persian musician Reza Derakshani and American drummer John Densmore team up on Ray of the Wine (www.henhousestudios.com). Using instruments from many cultures including djembe, sitar, and didgeridoo, Derakshani and Densmore (who also produced) create a multi-textured musical epic poem.

Pierre Bensusan’s Altiplanos (Favored Network) is a mostly instrumental collection, using Bensusan’s guitar and touches of flute to create an ethereal mood between classical and jazz.

Trance/pop artists Blank and Jones’ Mind of the Wonderful (Water Music DANCE) is an EP featuring six variations of one song. Short, long, acoustic, club mix heavy on the drum ‘n’ bass-there’s a mix for every taste from these popular club-hopping DJs.

Taste the overseas hip-hop scene with Interesting Flavours (Chocolate Fireguard). The album showcases various UK and European artists performing innovative rap, breakbeat, dance, and R&B numbers, with humor and social content that raise them notches above the American product.

Jazz combo Shapes go all out on The Big Picture (Burning Down The House), a double-disc effort that showcases the group’s fusion style on originals as well as standards. Pauline Wilson’s powerful, yet smooth vocal on Rodgers and Hart’s “I Didn’t Know What Time It Was” deserves to be a classic.

 Devil In A Woodpile’s In Your Lonesome Town (Bloodshot Records) features a mean harmonica and a deep-voiced singer playing down-home traditional blues in a very uncompromising style-nothing electric, completely unpretentious. This stuff is the roots, alright.

James Combs is a high-voiced singer-songwriter with a style recalling Neil Young and other early ‘70s troubadours. His Nice Dreams If You Can Get It (Disingenuous Records) features songs that are dreamy, but sometimes sardonic.

In Voodoorama by Thee Missouri (Blue Disguise Records) is not about voodoo, although it has a dark and mysterious mood. It’s more like Depeche Mode meets the blues as this German-based group melds melancholy lyrics to electronic beats.

Voodoo Boogaloo by Ron Levy’s Wild Kingdom (www.levtron.com) serves up good and greasy get-down jazz. Versatile musician Levy plays keyboards, vibes, basses, and clavinet, with assists from buddies like Karl Denson.

Tommy Castro is the Soul Shaker (Blind Pig). Accompanied by his funky band, Castro belts out roots rock and blues, almost single-handedly reviving the tradition of the soulful rock frontman.

Former Toad The Wet Sprocket frontman Glen Phillips returns with Winter Pays For Summer (Lost Highway), a collection of songs with Phillips’ signature philosophical bent and intricate guitar-drenched melodies. As the title indicates, some innocence has been lost since the Toad days - these songs represent a more mature, somewhat sadder perspective, but the enjoyment of life and love is still there.

Blues Mongrel (www.northernblues.com) is Carlos del Junco, a harmonica champ who really works his axe on “recycled blues.” There are some gutsy blues tunes here and even a harmonica rendition of the Our Man Flint theme!

Blues man Eddie Turner plays guitar and sings on Rise (www.northernblues.com). A dash of Chicago style, homages to Jimi Hendrix and Freddie King, and a refreshingly different sound these days -bottlenecking! It’s good to hear guitar work without electricity for a change.

What do you do when you’re one of the “other” Rolling Stones? If you’re Bill Wyman, you put together a top-notch band called The Rhythm Kings and record Just For A Thrill (Fuel), performing lots of old-time boogie woogie numbers, funk, harmonica blues, and even a Ray Charles tribute. And the result is an album that is just plain fun!

The concept of Rewind! 4 (Ubiquity), as with the three previous Rewind! compilations, is cover versions of familiar hits by current dance/R&B artists like The Rebirth, Nicole Kramer, and Platinum Pied Pipers. Everything from “Word Up” to Joni Mitchell’s “Help Me” gets a creative make-over on this modest but entertaining CD.

Seattle musical gadfly Carrie Akre fronts Goodness on a live CD called Live Seattle 12/03/04 (www.kufala.com). It has the atmosphere of its venue, Seattle’s Crocodile Café: raw, smoky, and dramatic.

Clean, melodic soft rock characterizes Dallas band The Afters. Their album I Wish We All Could Win (Ino/Epic) features upbeat ballads that sing of love for women, life, and God.







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Johnny Mathis Reza Derakshani Pierre Bensusan
Blank and Jones Various Shapes
Devil In A Woodpile James Combs Thee Missouri
Ron Levy’s Wild Kingdom Tommy Castro Glen Phillips
Carlos del Junco Eddie Turner The Rhythm Kings
Various Carrie Akre The Afters
Ever We Fall
Stampead Bill Brufford Smokin’ Joe Kubek
James McMurtry The Motet Moacir Santos
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Lemon Tres Chicas Tracy Spuehler
Tony Furtado John Pizarelli Horacio Rivera
Kerry Linder Karrin Allyson Kaskade, Derrick Carter, Thievery Corporation, and DJ Spinna
Quantic Oceansize Cyndi Lauper
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J.J. Cale Earl Scruggs, Kitty Wells, the Byrds, Buck Owens, Johnny Cash Blake Rainey
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