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Cirque Du Soleil
“Someone”
Delirium
(Cirque Du Soleil)
[listen] [buy] [download]

Patricia Barber
“Whiteworld/Oedipus”
Mythologies
(Blue Note)
[listen] [buy]

Cirque Du Soleil
“Someone”
Delirium
(Cirque Du Soleil)
[listen] [buy] [download]

Jim Pearce
“Why I Haven't Got You”
Prairie Dog Ballet
(Oak Avenue Publishing)
[listen] [buy]

Andy Timmons Band
“Gone (9/11/01)”
Resolution
(Favored Nations)
[listen] [buy]

Ralph Towner
“If”
Time Line
(ECM Records)
[listen] [buy]

Anoushka Shankar
"Beloved"
Rise
(Angel)
[listen]

Amos Lee
"Arms Of A Woman"
Amos Lee
(Blue Note)
[listen]

Julius Curcio
"American Pie"
Alligator Shoes
(Electric Roots)
[listen] [buy]

Lemon
"Come Alive"
Changing Into Me
[listen] [buy]

ONE WAY Recommends [Issue #22]
David Sills
By Scott Yanow

Down The Line (CD Origin)


Dwight Sills is an excellent 35-year old modern mainstream tenor-saxophonist with an appealing tone, gathered together some of Los Angeles’ top jazz players for this effort. Sills utilizes altoist Gary Foster on some selections, usually alternates pianist Alan Broadbent and guitarist Larry Koonse, and has fine support from bassist Putter Smith and drummer Tim Pleasant. The music is mostly modern hard bop. There are five originals by Sills including a spirited romp on the “I Got Rhythm” chord changes (“Down The Line”), a song apiece from Antonio Carlos Jobim (the bossa “If You Never Come To Me”), Broadbent, Koonse and Sam Rivers (“Beatrice”), and a pair of standards. Of the latter, Sills debuts his flute on the medium-tempo blues “Bag’s Groove” and caresses the melody warmly on “Never Let Me Go.” Many of the more exciting selections are when Foster interacts with Koonse. But even on the Foster-less tracks, the playing is first-rate, swinging and inventive within the hard bop tradition. Fixtures in Los Angeles-area clubs, all of these musicians deserve greater recognition. Down The Line showcases them well and is easily recommended to fans of straight-ahead jazz.

David Sills Down The Line


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