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Cirque Du Soleil
“Someone”
Delirium
(Cirque Du Soleil)
[listen] [buy] [download]

Patricia Barber
“Whiteworld/Oedipus”
Mythologies
(Blue Note)
[listen] [buy]

Cirque Du Soleil
“Someone”
Delirium
(Cirque Du Soleil)
[listen] [buy] [download]

Jim Pearce
“Why I Haven't Got You”
Prairie Dog Ballet
(Oak Avenue Publishing)
[listen] [buy]

Andy Timmons Band
“Gone (9/11/01)”
Resolution
(Favored Nations)
[listen] [buy]

Ralph Towner
“If”
Time Line
(ECM Records)
[listen] [buy]

Anoushka Shankar
"Beloved"
Rise
(Angel)
[listen]

Amos Lee
"Arms Of A Woman"
Amos Lee
(Blue Note)
[listen]

Julius Curcio
"American Pie"
Alligator Shoes
(Electric Roots)
[listen] [buy]

Lemon
"Come Alive"
Changing Into Me
[listen] [buy]

ONE WAY Recommends [Issue #6]
Beatles
By Lynne Bronstein

Let It Be . . . Naked (CD Apple)

If Let It Be originally seemed a nondescript footnote to the Beatles' career, that's because it was conceived as a soundtrack for the documentary of the same name and was embellished with superfluous orchestrations by Phil Spector after the band went on to record their real finale with Abbey Road. This new version deletes the Spector touches. So what's left? Eleven sturdy examples of late era Beatles with an early-day feel. Of the de-Spectorized material, "Long And Winding Road" is now the graceful ballad Paul meant it to be, backed by just the band and Billy Preston's piano, it sends shivers down the spine. "Across the Universe" is now just John on guitar with some mysterious echoing background voices, much more spiritual, as is the title song. And there's a bonus disc featuring recording session babble and bits of songs, including embryonic versions of "Imagine" "Jealous Guy," and "All Things Must Pass" and nonsense stuff like "Dirty Maggie May." It's a must for Beatlemaniacs and a reminder of how the Beatles' capacity for the zany took them to a place few subsequent rock bands have ever been.


Beatles Let It Be . . . Naked


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