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Cirque Du Soleil
“Someone”
Delirium
(Cirque Du Soleil)
[listen] [buy] [download]

Patricia Barber
“Whiteworld/Oedipus”
Mythologies
(Blue Note)
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Cirque Du Soleil
“Someone”
Delirium
(Cirque Du Soleil)
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Jim Pearce
“Why I Haven't Got You”
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(Oak Avenue Publishing)
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Andy Timmons Band
“Gone (9/11/01)”
Resolution
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Ralph Towner
“If”
Time Line
(ECM Records)
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Anoushka Shankar
"Beloved"
Rise
(Angel)
[listen]

Amos Lee
"Arms Of A Woman"
Amos Lee
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[listen]

Julius Curcio
"American Pie"
Alligator Shoes
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Lemon
"Come Alive"
Changing Into Me
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Rising Stars [Issue #19]
Laura Veirs: Sea, Sky, and Songs
By Lynne Bronstein
Year Of Meteors (CD Nonesuch)


Listening to Laura Veirs’ album, Year of Meteors, one notices an abundance of nature imagery.

From song titles like “Fire Snakes,” “Cool Water,” “Lake Swimming,” to such imagery as “When we dance / Eels and seagrass float on by / I’m 1000 leagues beneath the sea “ (from “Galaxies”), the album seems like an exploration of the great outdoors as a metaphor for life.

In actuality, Laura Veirs studied geology during her college years. She uses imagery related to geology, as well as more typical biological images of nature in her songs, and titled her last album Carbon Glacier after a “beautiful, dirty black and white glacier on the northern slopes of Mount Rainier.” It was during a geological expedition during her studies that Veirs had an epiphany, the realization that she was meant to channel her love of nature into music and lyrics.

“I graduated from college in ’97 and moved to Seattle,” says the Colorado-born singer-songwriter. “I tried to keep my band from college together - we were a punk band - all women - it was really fun - but I lost a couple of them, and the drummer and I tried to keep it going with other people, but it didn’t work.

“Then I started on my solo stuff and started getting interested in country blues guitar.”

Veirs got into the Seattle music scene, playing house concerts and coffee shops and cutting her first album. Her next effort, 2001’s Trials and Travails of Orphan Mae, which she describes as, “a country folk concept album about a woman traveling through the Old West” brought her some accolades in the local press. Veirs gradually put together her band, the Tortured Souls, whose drummer, Tucker Martine, would also become Veirs’ producer and trusted musical collaborator. “He’s a wonderful producer and he has such a real way of bringing life to the songs.”
Veirs credits Martine with helping her move to the Bella Union label for her next albums, Troubled By The Fire and Carbon Glacier. She began to tour a lot, especially in Europe. “They seem to respect artists more over there - I really like playing there,” she says.
With Year of Meteors now out on Nonesuch, Laura Veirs and the Tortured Souls have been touring in support of the album, which is bringing her greater visibility in the States. Veirs tours so much in fact, that when at home in the Seattle area, she prefers to just “chill out” and not go to local shows. But she says of the Seattle music scene, “It seems that people are collaborating more across cliques - lots of ‘cross-pollination’ - a style that I find really exciting.”

When Veirs is told that people find her lyrics poetic, she hastens to explain that she writes not poetry, but private poems. “I write in my book all the time, but I never type them up and I’ve never tried publishing any of them. [But] a lot of the songs are derived from these poems. I’ve considered publishing them as a little zine for my most hardcore fans.”


Year Of Meteors
Nonesuch

Sea, Sky, and Songs Laura Veirs Year Of Meteors


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